I've never been able to walk past a problem and leave it there.

Not in a restaurant, not in a hotel, not in a boardroom. If something could run better, feel better, or serve people better, I noticed it. And more often than not, I did something about it, whether it was my responsibility to or not.

That instinct has followed me through two decades of working inside other people’s businesses, from hospitality in Winnipeg to sales and business development across some of Canada’s most competitive industries. And in every environment, the same pattern showed up.

Some businesses had what they needed to grow. Others, regardless of size, were missing something harder to name: someone invested enough in the outcome to look at the whole picture, ask the uncomfortable questions, and stay until it was actually better.

What was missing wasn’t more ideas. It was the right person in their corner.

The thing that drives me.

An experience can feel average or it can feel elevated.

Back in the early 2000s at Winnipeg’s Fort Garry Hotel, the standard of care began before guests ever reached the door. I brought room service to Robin Williams, Shannen Doherty to the roof to watch fireworks, and collected a story about Kirstie Alley that’s better told in person. What that environment gave me is a standard I’ve never been able to shake - for what genuine care looks like, and what it produces. Businesses that operate at that level don’t have to chase clients. They attract them.

Experience is strategy. It’s one of the most overlooked competitive advantages a business can have. I want to bring that back. And it starts with someone who will truly get invested in your vision.

In 2018 I was referred into my first consulting engagement. By 2025 I made it my full focus and MTTE BLLK Agency Inc. was born.

I won’t hand you a strategy and wish you luck. I’m here to build with you.

- Kelly Abesdris, Founder + Creative Strategist

When I decided to pursue music seriously under the name Kelly Besd, I started with nothing but the idea. I built the story, the socials, the website, made the right connections - including garnering the attention of legendary engineer Eddie Kramer, whose credits include The Beatles, The Rolling Stones, and Led Zeppelin. The Alberta Foundation for the Arts grant followed. Then the EP, Back to Me.

I started collaborating with local artists - connecting with their communities, building relationships, expanding my reach one partnership at a time. That led to Our Love, a project I created with over 20 Calgary artists during the early days of the pandemic. It was about community. It was also a strategy. It landed me on CTV News at Noon.

I brought on a PR person, reached out to radio, and told the right story. Four YYC Music Awards nominations. Three Canadian Independent Music Video Award nominations. Features on CBC Radio.

It’s a different stage than business. But the same approach.

Different Stage, Same Standard

Cover art for Tuff Times by Kelly Besd, featuring Kelly Besd and Jackie Art beside an old pickup truck in a countryside landscape, with text about the Canadian Independent Music Video Awards and voting information.
A man wearing a red fez hat and a black shirt with white leaf patterns points and talks with a woman wearing sunglasses and a dark jacket. They are outdoors behind a wooden fence with graffiti, with city buildings and windows in the background, and sunlight creating lens flares.
Kelly Besd wearing a denim jacket, smiling and holding a clear award trophy at the YYC Music Awards event, standing in front of a backdrop with event logos and sponsors.
Kelly Besd wearing a denim jacket, smiling and holding a clear award trophy at the YYC Music Awards event, standing in front of a backdrop with event logos and sponsors.
Image of a promotional poster for the YKC Music Awards featuring nominees for World/Cultural Recording of the Year, including Luis Tovar, Gisela Romero, Gabriel Angel, Chebbeatz, and Curt Young. The poster includes photos of the nominees and text with their names and song titles.
Kelly Besd accepting an award at a podium during the 8th Annual YYC Music Awards, with a large screen displaying the event's logo in the background.
Black and white album artwork of Kelly Besd with curly hair resting her head on her arm, with text 'KELLY BESD' at the top and 'Back To Me' at the bottom.
Kelly Besd, artist, with curly hair performs on stage with a microphone, accompanied by ChefBeatz and L.I Freeze. The stage is illuminated with bright white and blue lights, with musical instruments like drums visible on the side.
Black and white photo Kelly Besd with curly hair, outdoors, with the CBC Radio One logo in the top left corner.
Two people posing at the Craig Senyk Initiatives and YVIC Music Awards event, standing in front of a backdrop with logos and text. The woman has long dark hair and is wearing glasses, a black leather jacket, and a white blouse with lace detailing. The man has short hair and is wearing large orange glasses and a denim shirt.
Graphic poster for the IYC Music Awards featuring nominees for Single of the Year, including Kelly Besd for 'Our Love', Annika for 'Encore', Clea Anais for 'Stars Still Dying (Single Edit)', Mickey Valenz for 'At The Speed Of Force (Mickey Valenz Remix)', and The Royal Foundry for 'Listen To The Beat'. The poster has a red background with black and white accents, circular images of the artists, and bold text highlighting nominees and their songs.