I've never been able to walk past a problem and leave it there.

Not in a restaurant, not in a hotel, not in a boardroom. If something could run better, feel better, or serve people better, I noticed it. And more often than not, I did something about it, whether it was my responsibility to or not.

That instinct has followed me through two decades of working inside other people's businesses, from hospitality in Winnipeg to sales and business development across some of Canada's most competitive industries. And in every environment, the same pattern showed up.

Some organizations had enough infrastructure to function. Others, regardless of size, were missing the foundational building blocks that made growth feel inevitable. I've seen scrappy small businesses with brilliant ideas held back by chaos, and I've seen large, established companies where the sales team couldn't perform because the systems behind them simply weren't there.

The gap was never talent, it was structure.

Kelly Abesdris, a woman with long brown hair and light makeup, sitting on a black leather chair against a neutral beige wall, wearing a black zip-up leather jacket and a gold necklace.

The thing that drives me.

An experience can feel average or it can feel elevated. At Winnipeg's Fort Garry Hotel, the standard of care began before guests ever reached the door. I brought room service to Robin Williams, took Shannen Doherty to the roof to watch fireworks, and collected a story about Kirstie Alley that's better told in person.

The businesses that understand experience, the ones that think about every touchpoint, every interaction, every moment a client feels something, those are the ones that build loyalty, generate referrals, and thrive. Experience is strategy. It's one of the most overlooked competitive advantages a business can have.

I want to bring that back, and it starts with the right foundation. You can't deliver a consistently elevated experience without the systems and structure to support it.

In 2018 I was referred into my first consulting engagement. By 2025 I made it my full focus and MTTE BLLK Agency Inc. was born.

I'm not here to hand you a strategy and wish you luck. I'm here to build it with you.

- Kelly Abesdris, Founder + Creative Strategist

My dad introduced me to music early - Gordon Lightfoot, The Beatles, The Animals, Crosby Stills Nash & Young. It stuck. Under the name Kelly Besd I released an EP called Back to Me, funded by an Alberta Foundation for the Arts grant and recorded with legendary producer Eddie Kramer. My song Our Love brought together over 20 local Calgary artists, a project rooted in community and collaboration. A four-time YYC Music Awards nominee and three-time Canadian Independent Music Video Awards nominee, I've also been featured on CBC and CTV. I handled my own promotion and marketing, brought on a PR person, and built real momentum, earning four YYC Music Awards nominations and features on CBC and CTV.

Different Stage, Same Standard

It's a different stage than business, but the same approach - if you're going to do something, do it all the way.

Cover art for Tuff Times by Kelly Besd, featuring Kelly Besd and Jackie Art beside an old pickup truck in a countryside landscape, with text about the Canadian Independent Music Video Awards and voting information.
A man wearing a red fez hat and a black shirt with white leaf patterns points and talks with a woman wearing sunglasses and a dark jacket. They are outdoors behind a wooden fence with graffiti, with city buildings and windows in the background, and sunlight creating lens flares.
Kelly Besd wearing a denim jacket, smiling and holding a clear award trophy at the YYC Music Awards event, standing in front of a backdrop with event logos and sponsors.
Kelly Besd wearing a denim jacket, smiling and holding a clear award trophy at the YYC Music Awards event, standing in front of a backdrop with event logos and sponsors.
Image of a promotional poster for the YKC Music Awards featuring nominees for World/Cultural Recording of the Year, including Luis Tovar, Gisela Romero, Gabriel Angel, Chebbeatz, and Curt Young. The poster includes photos of the nominees and text with their names and song titles.
Kelly Besd accepting an award at a podium during the 8th Annual YYC Music Awards, with a large screen displaying the event's logo in the background.
Black and white album artwork of Kelly Besd with curly hair resting her head on her arm, with text 'KELLY BESD' at the top and 'Back To Me' at the bottom.
Kelly Besd, artist, with curly hair performs on stage with a microphone, accompanied by ChefBeatz and L.I Freeze. The stage is illuminated with bright white and blue lights, with musical instruments like drums visible on the side.
Black and white photo Kelly Besd with curly hair, outdoors, with the CBC Radio One logo in the top left corner.
Two people posing at the Craig Senyk Initiatives and YVIC Music Awards event, standing in front of a backdrop with logos and text. The woman has long dark hair and is wearing glasses, a black leather jacket, and a white blouse with lace detailing. The man has short hair and is wearing large orange glasses and a denim shirt.
Graphic poster for the IYC Music Awards featuring nominees for Single of the Year, including Kelly Besd for 'Our Love', Annika for 'Encore', Clea Anais for 'Stars Still Dying (Single Edit)', Mickey Valenz for 'At The Speed Of Force (Mickey Valenz Remix)', and The Royal Foundry for 'Listen To The Beat'. The poster has a red background with black and white accents, circular images of the artists, and bold text highlighting nominees and their songs.